ON DISNEY

On Disney, which was begun in 1940 but was never finished, was part of a series of essays Eistenstein wrote on masters of cinema/ fo r Eisenstein, Walt Disney offered a way to think about how such impulses and animism and totemism survived in modern consciousness a nd art. This edition presents the original, unfinished essay along with material on Disney that Eisenstein worked on in subsequent y ears but never succeeded in integrating with the original.